A unflinching memoir exploring the realities of marriage, care-giving, how we die and how we grieve.

After thirteen years together, Sarah Tarlow’s husband Mark began to suffer from an undiagnosed illness, which rapidly left him incapable of caring for himself. Life – an intense juggling act of a demanding job, young children and looking after a depressed and frustrated parner – became hard.

One day, five years after he first started showing symptoms, Mark waited for Sarah and their children to leave their home before ending his own life. Although Sarah had devoted her professional life as an archaeologist to the study of death and how we grieve, she found that nothing had prepared her for the reality of illness and the devastation of loss.

The Archaeology of Loss is a fiercely vulnerable, deeply intimate and yet unflinchingly direct memoir which describes a universal experience with a singular gaze. Told with humour, intelligence and urgency, its raw honesty offers profound consolation in difficult times.

A stunning blend of the personal and professional, The Archaeology of Loss is Sarah Tarlow's first memoir. An accomplished archaeologist, much of Sarah's work is concerned with the ritual and belief behind the practice of grief. In 2012, she was awarded the Chair in Archaeology at the University of Leicester. But in the years that followed this appointment, Sarah's husband, Mark, would begin to suffer from a progressive but undiagnosed illness, finally resulting in his inability to drive, to walk, to taste or to care for himself. Though Sarah had devoted her professional life to the study of emotion, of how we anticipate and experience grief, nothing could have prepared her for the realities of care-giving, of losing someone you love and the helplessness attached to both. A fiercely honest and unique memoir, The Archaeology of Loss describes a collective experience with an unflinching and singular gaze and will undoubtedly speak to readers of The Salt Path and H is for Hawk. Told with humour, intelligence and urgency, this is an unforgettable piece of writing.

My whole adult life, I have made a study of death. Sarah Tarlow has devoted her working life to the study of death, burial practices, and the rituals of grief. She is also a widow. Shortly after her appointment as the Chair of Archaeology at the University of Leicester, her partner Mark began to suffer from a bitter, drawn-out and undiagnosed illness, leaving him unable to care for himself. Eventually, two weeks after they married, Mark waits for Sarah and their children to leave the house, and ends his own life in an extraordinary act of courage and love. Although Sarah is considered an expert in the history and archaeology of death, she will find that nothing could have prepared her for the reality of illness, care-giving and losing someone you love. A fiercely honest, intimate and unique blend of the professional and the personal, The Archaeology of Loss describes a universal experience with an unflinching and singular gaze. Told with humour, intelligence and urgency, this is an unforgettable piece of writing.

eBook available with sample pages: HB:0415188059

This book is open access under a CC BY 4.0 licence. This book is the first academic study of the post-mortem practice of gibbeting ('hanging in chains'), since the nineteenth century. Gibbeting involved placing the executed body of a malefactor in an iron cage and suspending it from a tall post. A body might remain in the gibbet for many decades, while it gradually fell to pieces. Hanging in chains was a very different sort of post-mortem punishment from anatomical dissection, although the two were equal alternatives in the eyes of the law. Where dissection obliterated and de-individualised the body, hanging in chains made it monumental and rooted it in the landscape, adding to personal notoriety. Focusing particularly on the period 1752-1832, this book provides a summary of the historical evidence, the factual history of gibbetting which explores the locations of gibbets, the material technologies involved in hanging in chains, and the actual process from erection to eventual collapse. It also considers the meanings, effects and legacy of this gruesome practice.

Drawing on archaeological, historical, theological, scientific and folkloric sources, Sarah Tarlow's interdisciplinary study examines belief as it relates to the dead body in early modern Britain and Ireland. From the theological discussion of bodily resurrection to the folkloric use of body parts as remedies, and from the judicial punishment of the corpse to the ceremonial interment of the social elite, this book discusses how seemingly incompatible beliefs about the dead body existed in parallel through this tumultuous period. This study, which is the first to incorporate archaeological evidence of early modern death and burial from across Britain and Ireland, addresses new questions about the materiality of death: what the dead body means, and how its physical substance could be attributed with sentience and even agency. It provides a sophisticated original interpretive framework for the growing quantities of archaeological and historical evidence about mortuary beliefs and practices in early modernity.

This book is open access under a CC BY 4.0 licence. This book is the first academic study of the post-mortem practice of gibbeting ('hanging in chains'), since the nineteenth century. Gibbeting involved placing the executed body of a malefactor in an iron cage and suspending it from a tall post. A body might remain in the gibbet for many decades, while it gradually fell to pieces. Hanging in chains was a very different sort of post-mortem punishment from anatomical dissection, although the two were equal alternatives in the eyes of the law. Where dissection obliterated and de-individualised the body, hanging in chains made it monumental and rooted it in the landscape, adding to personal notoriety. Focusing particularly on the period 1752-1832, this book provides a summary of the historical evidence, the factual history of gibbetting which explores the locations of gibbets, the material technologies involved in hanging in chains, and the actual process from erection to eventual collapse. It also considers the meanings, effects and legacy of this gruesome practice.

In this innovative 2007 study, Sarah Tarlow shows how the archaeology of this period manifests a widespread and cross-cutting ethic of improvement. Theoretically informed and drawn from primary and secondary sources in a range of disciplines, the author considers agriculture and the rural environment, towns, and buildings such as working-class housing and institutions of reform. From bleach baths to window glass, rubbish pits to tea wares, the material culture of the period reflects a particular set of values and aspirations. Tarlow examines the philosophical and historical background to the notion of improvement and demonstrates how this concept is a useful lens through which to examine the material culture of later historical Britain.

What is the archaeology of the body and how can it change the way we experience the past? This book, one of the first to appear on the subject, records and evaluates the emergence of this new direction of cross-disciplinary research, and examines the potential of incorporating some of its insights into archaeology. It will be of interest to students, researchers, and teachers in archaeology, as well as in cognate disciplines such as anthropology and history.

What is the archaeology of the body and how can it change the way we experience the past? This book, one of the first to appear on the subject, records and evaluates the emergence of this new direction of cross-disciplinary research, and examines the potential of incorporating some of its insights into archaeology. It will be of interest to students, researchers, and teachers in archaeology, as well as in cognate disciplines such as anthropology and history.

This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.

Drawing on archaeological, historical, theological, scientific and folkloric sources, Sarah Tarlow's interdisciplinary study examines belief as it relates to the dead body in early modern Britain and Ireland. From the theological discussion of bodily resurrection to the folkloric use of body parts as remedies, and from the judicial punishment of the corpse to the ceremonial interment of the social elite, this book discusses how seemingly incompatible beliefs about the dead body existed in parallel through this tumultuous period. This study, which is the first to incorporate archaeological evidence of early modern death and burial from across Britain and Ireland, addresses new questions about the materiality of death: what the dead body means, and how its physical substance could be attributed with sentience and even agency. It provides a sophisticated original interpretive framework for the growing quantities of archaeological and historical evidence about mortuary beliefs and practices in early modernity.

Historical burial grounds are an enormous archaeological resource and have the potential to inform studies not only of demography or the history of disease and mortality, but also histories of the body, of religious and other beliefs about death, of changing social relationships, values and aspirations. In the last decades, the intensive urban development and a widespread legal requirement to undertake archaeological excavation of historical sites has led to a massive increase in the number of post-medieval graveyards and burial places that have been subjected to archaeological investigation. The archaeology of the more recent periods, which are comparatively well documented, is no less interesting and important an area of study than prehistoric periods. This volume offers a range of case studies and reflections on aspects of death and burial in post-medieval Europe. Looking at burial goods, the spatial aspects of cemetery organisation and the way that the living interact with the dead, contributors who have worked on sites from Central, North and West Europe present some of their evidence and ideas. The coherence of the volume is maintained by a substantial integrative introduction by the editor, Professor Sarah Tarlow. "This book is a 'first' and a necessary one. It is an exciting and far-ranging collection of studies on post-medieval burial practice across Europe that will most certainly be used extensively" Professor Howard Williams